Uncle Jasper reviews: Blind Fury (1989)

Blind Fury (1989)

Starring Rutger Hauer, Terry O’Quinn, Brandon Call, Noble Willingham, Lisa Blount, Nick Cassavetes, Rick Overton, Randall “Tex” Cobb, Meg Foster, Sho Kosugi

Directed By Phillip Noyce

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Sometimes you just have to roll with your intuition. No matter how silly and bizarre your idea initially looks on paper you just gotta go on with that gut feeling, confident that there is something about it that just feels “right”. I would imagine that’s how director Phillip Noyce and writer Charles Robert Carner felt as they sat down gingerly, committing this unique slice of 80s action to celluloid.

Blind Fury is a film that once again proves just how versatile and universal the Japanese samurai film was. After the Italians made Yojimbo into a western, and George Lucas threw a little bit of The Hidden Fortress into Star Wars, I guess it was only a matter of time before we had Rutger Hauer combing American highways as a Vietnam veteran incarnation of Zatoichi, taking on the mob almost single-handedly with his walking cane which housed a razor-sharp samurai sword.

A Fork in the Road (2009)

A Fork in the Road (2009)

Starring Jaime King, Josh Cooke, Missi Pyle, Daniel Roebuck, Silas Weir Mitchell, Rick Overton, William Russ

Directed by Jim Kouf

Expectations: Low. The trailer looked awful, but I gave it a shot.

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I took a chance on this movie. I watched the trailer for it a long time ago, probably a year back, and thought it looked horrible. It was obviously shot on video and from what I remember of the trailer there were a lot of people yelling at each other. I generally would have written this movie off immediately as a Coen Bros. rip-off but when I saw it on Netflix Instant and I was in a forgiving mood, I decided to give it a go and put all of my preconceived notions aside. Surprisingly, I’m not sorry that I did.

A young child hangs out of a car window, playing with a fork. He drops said fork and where does it land? Well, dear readers, it lands in the road. Along comes a police cruiser transporting the convict Will Carson. It hits the fork in the road, flips and Will makes his escape. He hides out in a barn and notices some suspicious behavior at the house across the way. A woman drags a man’s body out of the house and struggles to put him into the trunk of a car. From here, as you can probably guess, hijinks ensue.