Silver Emulsion

Film Reviews

Django Kills Softly (1967)

Django Kills Softly [Bill il taciturno] (1967)
AKA Django Kills Silently

Starring George Eastman, Luciano Rossi, Liana Orfei, Mimmo Maggio, Peter Hellman, Spartaco Conversi, Claudio Biava, Federico Boido, Paul Maru, Antonio Toma, Martial Boschero, Giovanna Lenzi, Ilona Drash, Enrico Manera, Federico Pietrabruna

Directed by Massimo Pupillo (as Max Hunter)

Expectations: Low. I have hope going in to these clone films, but I’m not expecting much at all.


Django Kills Softly opens as a group of bandits ride up on a small family’s camp and murder them. Django comes down from a hill and kills the bandits that have stayed behind to loot the wagon. My first thought is that George Eastman is no Franco Nero. During the credit sequence, Eastman poses and smiles at the camera, clearly pleased with the good deed he has done. I knew then that this would be a different Django film, one that didn’t seek to actually use or expand on the character from the Corbucci film, but only use his name to capitalize on the success of the initial film and its drawing power. This Django doesn’t have a coffin or a machine gun and is more talkative and less dark. In fact, he’s only referred to as Django once towards the end of the film. In order to rectify this in my mind, I took to thinking of his character as a younger, more light-hearted version of Django, as if this was a prequel of sorts before things turned dark.

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July 7, 2010 Posted by | 1960s, Foreign, Movie Reviews, Rating: 2 & 1/2 Stars, Special Features, Western | , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Uncle Jasper reviews: Django the Bastard (1969)

Django the Bastard [Django il Bastardo] (1969)
AKA “Django the Avenger” & “The Strangers Gundown”

Starring Anthony Steffen, Paolo Gozlino, Luciano Rossi, Teodoro Corra, Jean Louis, Carlo Gaddi, Thomas Rudy, Lucia Bomez

Directed By Sergio Garrone


Django the Bastard takes a pretty uninspired, revenge-driven storyline and manages to turn it into the ultimate ninja film. It looks like a western, it even smells like a western, but take a closer look and you might start mistaking those six-shooters and cowboy hats for ninja stars and black hoods.

A lot has happened to our hero since the first film. First, Django’s hands have completely healed. Great! Second, Django has seemed to have taken on some supernatural powers. In fact, he is often referred to as a ghost or apparition throughout the film. When asked by a dying victim who he is, Django replies “I am a devil from hell”. It sounds a little wonky at first, but give it time and soon you will be eating it up every time you see Django disappear into thin air in the middle of a conversation, clone himself in front of an enemy begging for mercy, or emerge from shadows or thick plumes of smoke just long enough to take out some frightened gunslingers.

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July 6, 2010 Posted by | 1960s, Foreign, Movie Reviews, Special Features, Uncle Jasper Reviews, Western | , , , , , , , , , , , , , | 3 Comments