Silver Emulsion

Film Reviews

Uncle Jasper reviews: The Young Master (1980)

The Young Master [師弟出馬] (1980)

Starring Jackie Chan, Yuen Biao, Tien Feng, Feng Feng, Wei Pei, Shih Kien, Lily Li Li-Li, Hwang In-Shik

Directed By Jackie Chan

Dogged for years by contractual obligations and careless mismanagement of talent, Jackie Chan finally broke free of the substandard Lo Wei cycle of pictures in 1980 and began his long-term partnership with Golden Harvest. Chan was able to impart at least marginal creative input into the Lo Wei films, separating himself somewhat from the pack, but it was only after finding total freedom with The Young Master that the public first got a glimpse of his unique take on kung fu films, done “The Jackie Chan way”. No longer would we be forced to waddle through total misfires like The Killer Meteors, or face frustration by “almost there” glimmers of hope like Spiritual Kung Fu. No longer stifled by studio politics, Jackie was able to create a film on his own terms, finally unleashing the storehouse of talent that would pave the way for one of the great bodies of work in martial arts cinema.

The great thing about The Young Master is that it feels like a breakthrough film. Obviously working with a much larger budget than before, Jackie opens the film with a jaw dropping lion dance sequence that dwarfs anything seen previously in his career. The scene, which features the two lions battling each other on an elevated platform, establishes Jackie’s preference for natural acrobatics and talented stuntmen over floaty wirework and camera tricks.

The plot, which finds Jackie as a goofy kung fu student in search of his expelled brother is merely there to string along his trademark slapstick humor and inventive choreography. But as a director, he has a genuine feel for each scene and deftly weaves comedy and kung fu into the story without making it feel forced or unnatural. I’ve always felt that Jackie’s genius in creating naturally comedic situations was always underappreciated. Take for example when he finds himself pursued by the District Marshall and finds respite in a young woman’s home. While she leaves for the market he decides to bathe in an enclosed shower stall. Unknown to him, the young woman was actually the Marshall’s daughter and while he’s enjoying the bath, the Marshall himself walks in and chooses the neighboring stall. Jackie is forced to improvise while the bathing Marshall blindly reaches into his stall, feeling around for soap and a rag. It’s a very logical turn of events that manages to build tension as well as laughs.

The Young Master also marks Jackie’s first teaming with fellow opera school pal, Yuen Biao, who plays the Marshall’s son. The two have a pretty good bench fight together which features plenty of great acrobatics and the chemistry they share on screen together definitely hints at better things to come. Also worth a mention is Jackie’s cross-dressing skirt battle against Shaw Bros regulars Lee Hoi-San and Fung Hak-On. Donning the bright red skirt, he manages to make total asses of the two heavies as well as himself while matador inspired pasodobles play in the background.

And of course we have to mention the legendary final duel between Jackie and Hwang In-Shik. This fight is noteworthy not only for the obvious reason… Hwang In-Shik being one of the most criminally underrated martial artists of all time, but also because it gives us our first real taste of Jackie the choreographer. The scene comes very close to foregoing the traditional martial arts choreography of the past and carries just a slight bit of that spontaneous, street boxing style of fighting Jackie would later run wild with in films like Wheels on Meals and Dragons Forever. Hwang In-Shik is simply a beast and has a brutal edge that actually establishes him as the better of the two fighters. Just watch in awe as this crazy bastard creates arm bars and devastating wrist locks that seem to come out of nowhere. This is one of those rare kung fu fights that actually make you question if the hero really has a chance at all of winning. His floaty, but powerful kicking style is almost a precursor to the Ken Lo fight scene that would later end Drunken Master II. Speaking of that film, the fight here follows a near identical progression, making it very obvious that Jackie had repeat viewings of this film fresh in his mind while choreographing the fights in DM II almost fifteen years later.

I think it’s a safe bet to call The Young Master the first true Jackie Chan film. In it the first seeds of a great career were sown. It also gives us the first untainted example of Jackie the director, who often seems to be overshadowed by Jackie the actor. Sure the guy hasn’t made the best career choices in recent years, but don’t let that take away from the great body of films he has given us in the past. Even Jackie’s hero Buster Keaton ended his career on a less than stellar note. Beach Blanket Bingo anyone?

September 16, 2010 - Posted by | 1980s, Martial Arts, Movie Reviews, Uncle Jasper Reviews | , , , , , , , , , ,


  1. Jackie Chan was on Jonathan Ross’s show here in the UK a few weeks back and it was a great interview. He was talking about all the injuries he’s had over the years from filming stunts ‘live’. It made me want to check out all his back catalogue films…and this is one of those films on my list.

    Comment by Dan | September 16, 2010 | Reply

    • This is definitely a good starting point, especially if you want to go through them chronologically. The last time I saw this film was probably 15 years ago and it was interesting to come back and pick up on a lot of the early ideas that he would eventually incorporate into his later films.

      Comment by Uncle Jasper | September 16, 2010 | Reply

  2. Great review of a great film. The Young Master has an honoured place on my DVD shelf. I love the way this film is propelled by all the witty and inventive choreography.

    Comment by dangerousmeredith | September 16, 2010 | Reply

    • Agreed. Action scenes that actually help to advance both plot and character development are a rarity in many films of this period. There is a lot of economy involved in Jackie’s directing that I think goes unnoticed all too often. Thanks for reading!

      Comment by Uncle Jasper | September 16, 2010 | Reply

  3. There’s enough mistaken identity for a Three’s Company episode here! I totally forgot how badass this movie was. Man, every fight is so fun to watch with all that Jackie Chan humor weaved in. I’ve always been a big Yuen Biao fan, so the bench fight was a highlight for me. Great review man! You should do some more of his movies in the future.

    Comment by Will Silver | September 27, 2010 | Reply

    • Thanks! I definitely want to run through some more JC classics. This being his first “great” film I thought it would be a good jumping point. Maybe we can double team a Jackie Chan film fest one of these days.

      It seems that in recent years JC has been kind of swept aside in favor of younger martial arts stars, given his recent output, it’s probably justified. But personally I feel that he still remains one of the most creative minds in movie history. People need to be reminded that this is the guy behind Project A, Police Story, and Wheels on Meals.

      Comment by Uncle Jasper | September 27, 2010 | Reply

      • I often think this. I think a lot of people I know just think “Jackie Chan? Rush Hour. Little Asian guy who falls off a lot of buildings.” I daydream of herding them together and make them watch a film like Project A of The Young Master one day.

        Comment by dangerousmeredith | September 28, 2010 | Reply

        • I’m really happy that Jackie eventually was able to break into the Hollywood market after all of those years. Unfortunately I think it put a pretty bad blemish on an otherwise amazing career. Luckily the staying power and indelible quality of a Police Story or Drunken Master II is more than enough to make me forget that a film like The Tuxedo was even made.

          Comment by Uncle Jasper | September 28, 2010 | Reply

      • Yeah great choice for the first Jackie film to feature. A Chan fest sounds like a good idea!

        Just re-watching Young Master, I myself was reminded of how amazing and inventive of a filmmaker/choreography he is. I’ve loved him but being away for so long, I forgot the extent of his excellence. It’s true that lots of people don’t even know how good he is because all they’ve seen are the American films. We should totally do some more in the coming months.

        Comment by Will Silver | September 28, 2010 | Reply

        • Definitely. I was thinking of getting a little more in depth and digging into a few more of his earlier films after Christmas. I’ve had a serious itching lately to re-watch Wheels on Meals.

          Comment by Uncle Jasper | September 28, 2010 | Reply

  4. Good review, and good focus on Jackie’s earlier years. I’ve been a fan for 30 years, and have just started my tribute blog. Feel free to check it out!

    Comment by Rita Mai | September 28, 2010 | Reply

    • Very nice blog you have there! Definitely will be checking in on it. Thanks for visiting!

      Comment by Uncle Jasper | September 28, 2010 | Reply

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